Csoa Forte Prenestino, Animate, Infoshop
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CRACK! Disruptive comics

8 - 9 -10 -11 June 2006
Csoa Forte Prenestino (Rome)
http://crack.forteprenestino.net/

Crack experience continues! Disruptive comics.

Also this year it will take place in the cells and squares of the csoa Forte Prenestino Crack! disruptive comics; second edition of the project involving authors, independent companies, publishers and the whole world that crosses the languages ​​of comics.
Forte Prenestino is one of the largest and oldest social centers in Europe; an ancient fortress of the nineteenth century returned to social space 20 years ago. The basements of the fort are divided into small rooms, all entirely wired, particularly suitable for being transformed into exhibition spaces, so much so that over the years there have been many events that have animated the cells that compose them. Underground that, from that moment, have become the favorite place to give space to exhibitions and cultural events; from 1991 Art Festival, experience continued for years with comic exhibitions, up to the experience of 'Animated Cells' (2004), a first attempt to give new life to terminals and connections between authors and lovers of images and comics, passing by Critical Wine and the most recent BHAP, show event on beat, hippies, autonomous, punk.

The appointment with comixes saw the birth of a mailing list (animate@inventati.org) and now a coordination forum for the creation of Crack! and to build a network between the minds interested in image storytelling.
Here's the Crack story! disruptive comics: 4 days of exhibitions, screenings, meetings with authors and editors, performances, music and theatrical performances. The aim is to create a meeting and exchange space for all the stories that do not follow the path of large-scale publishing, which express denied voices that do not intend to remain silent. They are stories that participate in the varied production of the cultural industry from a secluded position, outside the profit dynamics of large retailers.


Crack Guest of Honor! 2006 will be the art and memory of StéfanoTamburini.
VINAVYL, homage to Stefano Tamburini, an exhibition in the heart of the cells lovingly organized by Michele Mordente and the Muscles association and the Stefano Tamburini study center & archive with the contribution of Crack!.
To make graphics you need muscle, said Steve Tamburo, as he crossed the networks with his darting presence, the movements of the neotribes on a collision course in the urban scenarios of the late seventies. He saw far away, he built connections and intersections on the prints and mimeographs in fast circulation for the places of the movement and the libraries of the libertarian circuit. Combinations, Alternative Press, Hot Minestrone, Zut these are the magmatic productions of the first period. Identifying and tracing a conflictual and marginal language capable of reformatting and producing other languages ​​in condensed italic, obviously Letraset and Rank Xerox.
Stefano Tamburini, master of self-production, plagiarism, clipping and copy paste, street teacher. Our way. His are stories that move from those suburbs furrowed by the sixty and fifty-sixth night, pigneto-prenestino-centocelle, the vital Roman routes, still today. "Cannibale starts in May of last year (N ° 3, May 1977, Rome ed) with a completely different physiognomy from the more or less transversal sheets that ran in the '77 movement: four-color cover, typical format of American underground magazines & in street comics, hallucinated, drawn by rethinking in a bar a situation of two hours before or with the smoke of tear gas clearly present in the mucous membranes of the nose! " Legacy of the famous Dadaist sheet, Cannibal in June 1978 saw the release of "Rank Xerox, the forced!" first story of a saga that has marked the history of Italian and non-Italian comics, with a group that is legend: Massimo Mattioli, Andrea Pazienza, Tanino Liberatore and Filippo Scozzari.
Ranxerox is published immediately in France, Spain, Germany, Holland, America, Greece, Finland, Sweden and Japan, and this only in the first half of the eighties. In 1983, Frank Zappa's album "The Man From Utopia" was released with a zapped Ranx on the cover, the result of a much larger project and then abandoned of an entire album that had to tell, drummed, the adventures of the Italian tour.
In November 1980 then Frigidaire il superfluo indispensable opens, the magazine that will tell the eighties live. Frigidaire is a container of information that multiplies the reference languages ​​of comics, mixing their fates in an indissoluble way with those of musical subcultures, according to an attitude to an exquisitely punk cut-up, all once again thanks to the biting intelligence of Red Vinyle, one of Tamburini's multiple alter-egos.

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