Imuvi ye-MPC izisa umgqumo we "Godzilla vs. Kong" ebomini kunye nemifanekiso emikhulu emikhulu
Umphathi weMveliso yeeMveliso eziBonwayo uJohn "DJ" uDes Jardin, uMPC VFX Supervisor Pier Lefebvre kunye neMPC Animation Supervisor uMichael Langford ukhokele iqela leMPC Film's VFX ukudubula izithonga ezili-177 zokulandelelana kwe "Downtown Battle" Godzilla vs. Kong. Amagcisa e-VFX asuka kwi-MPC Film studios eMontreal, e-Bangalore nase-London basebenze kunye ukuzisa ungquzulwano olukhulu phakathi kwe-titans ezimbini kumbindi we-Hong Kong.
Iqela loyilo elisekelwe kwi-studio ye-Technicolor's preproduction studio e-Culver City, e-Los Angeles, yasebenza kuzo zonke iinkalo zenkqubo yokujonga ulandelelwano lwaseHong Kong, ukusuka kwi-preview ukuya kwi-post-visualization. Iqela lisebenze ngokusondeleyo nomlawuli uAdam Wingard njengoko wayehamba esuka eVancouver, esiya kwindawo eHawaii, eOstreliya, wabuyela kwisitudiyo eLos Angeles. Umphathi we-Forecast uKyle Robinson ukhokele intlawulo kunye neqela lakhe labakhi be-asethi kunye namagcisa alandelelanayo. "Ngesikhokelo kunye nesikhokelo somphathi weziphumo ezibonakalayo u-DJ Desjardin, iqela le-MPC kunye nam sakwazi ukunceda ukuzisa le filimu kubomi obumnandi nobungaqhelekanga," utshilo uRobinson.
Kumanqanaba okuqala, iMPC Film yanikwa umzobo weKing Kong kunye noGodzilla ophume izandla phakathi kwezibane ezipinki, eziluhlaza kunye neziorenji zesixeko saseHong Kong, ezigcwele inkungu eluhlaza. Idume ngemiboniso yayo yasebusuku eqaqambileyo yeempawu ze-neon, imiboniso ye-laser kunye nezikrini ezinkulu ze-LED, bekubalulekile ukuqonda ukumelwa okuyiyo kwemeko yedolophu yaseHong Kong.
Omabini amaqela okubona kwangaphambili kunye nokubonwa kwangaphambili ancede ukusombulula imingeni emininzi yokuyila ejongene nolu landelelwano lubalulekileyo. Umsebenzi owenziwe ngexesha lokuveliswa kwangaphambili uncede ukuseka imveliso eyimpumelelo kwisethi kunye naxa iguqulelwa kwimveliso yasemva. Intsebenziswano yokudala eyaqala kwi-pre-production ibonisa ukudibanisa okucacileyo okubonakalayo kwinqumlo yokugqibela yefilimu.
Enye yeenjongo eziphambili zeqela leMPC yeFilimu yayikukwenza kwakhona ingcamango ethile yokukhanyisa. Iincoko ezininzi beziqhubeka noWingard kuyo yonke inkqubo malunga neskimu sombala wokukhanya kwe-neon yesixeko. Kwakhona, kwakubalulekile ukubonisa ubungakanani be-Kong kunye ne-Godzilla, kunye nenyani yedolophu yeCG.
Ukongeza ekuphuhliseni ukumelwa okuguquguqukayo kweHong Kong, iqela laqinisekisa ukuba le mibala eqaqambileyo ikhanyisela ngokuchanekileyo abalinganiswa ngexesha lokujongana okukhawulezayo kunye nokonakalisa kakhulu. Into eqala njengeseti yeqhosha elisezantsi elimfiliba nelinemibalabala ibethelelwa ngobuchule kwindawo enesihogo somlilo.
Ukwazisa isixhobo esitsha sobunini sesoftware ebizwa ngokuba yiPopulate HK (Hong Kong) ubuchwepheshe benziwe Godzilla vs. Kong. Esi yayisiskripthi, esekwe kwi-PACS, eyakhiwe yi-MPC Film umphathi weCG uJoan Panis ukunceda ukutyhala indawo ephambili yedolophu kuzo zonke izithonga. I-Popola HK yayithetha ukuba naluphi na uhlaziyo olwenziwa kwindawo engundoqo yokwakha lunokudityaniswa lula kwi-shots entsha. Oku kuquka ukufunda kulo naluphi na utshintsho olwenziwa liqela lemifanekiso eshukumayo. Abemi be-HK bangafunda isiseko sokusingqongileyo kunye noopopayi abalungisiweyo kwaye balungiselele isixeko unikezelo. Isikripthi sikwanazo nesakhono sokuqinisekisa ukuba izithonga zazaliswa ngokusekwe kukuphi na amacandelo esixeko abonakala, nto leyo eyenza ukuba kube nzima ukunikezela.
I "Downtown Battle" yayilulandelelwano olucelomngeni ngakumbi njengoko uninzi lwezithonga zaziyi-CG ngokupheleleyo kwaye zibandakanya inani elikhulu leempembelelo zentshabalalo ezinzima. Ukuqhubekeka kulandelelwano yayiyeyona nto iphambili ekuqinisekiseni ukuba izakhiwo ezatshatyalaliswa ngaphambili zihleli kwinkangeleko yazo engamaqhekeza, njengoko kwenza izibane ze-neon ezaphukileyo ezazidanyaza phakathi kwentshabalalo enkulu.
Umphathi we-CG uTimucin Ozger wenze i-automated Houdini yokutshatyalaliswa kwendawo yokuhamba komsebenzi, enokuthi inike iziphumo ngeeNeons njengemithombo yokukhanya kwi-Mantra Renderer. Oku kuhamba komsebenzi kudala iziphumo ezifanayo kwinto ebeza kwenziwa lisebe lokukhanyisa. Oku kuye kwanceda ukuba kuphetshwe ukothuka kwiinkalo ezahlukeneyo phakathi kwamasebe nokugcina ukungaguquguquki. I-MPC iphinde yahlaziya iParallax Shader yayo ukwenza i-skyscrapers ifotoreal. I-shader entsha inokujoyina iifestile kwiiofisi kwaye yenze amagumbi eParallax akhangeleka ngathi ziiofisi, ezingaphelelanga kumagumbi omnye.
Owona mceli mngeni weqela loopopayi ibikukudala idabi elibukhali neliguqukayo elingagxininisi nje ubukhulu beetitans, kodwa likwabonise imvakalelo yomlo ebusweni babo. Oopopayi bakonwabele ukulingisa idabi kunye ne-choreographing ngendlela u-Kong kunye no-Godzilla ababenokulwa ngayo, baze baphinde batolike ukusebenza kwi-keyframe oopopayi. Umceli mngeni owongezelelekileyo yayikukudala intsebenziswano enothando, engasoyikisiyo phakathi kweKong neJia, nangona uKong wayenobungangamsha kunye nenkangeleko eyoyikisayo. Kwakubalulekile ukufumana imvakalelo egqibeleleyo kunye nokubonakaliswa kobuso bukaKong ukuthengisa iimvakalelo zakhe ngaphandle kwamagama.
Imifanekiso yamandulo " Godzilla vs. Kong ngoku ikwithiyetha kwihlabathi liphela ngeWarner Bros. Imifanekiso kunye neToho (eJapan).
Umthombo: Ifilimu ye-MPC
