I-movie ye-MPC iletha ukuduma kwe- "Godzilla vs. Kong" empilweni ngemiphumela emikhulu yobuciko behluzo

Umphathi we-Production Visual Effects uJohn "DJ" Des Jardin, umphathi we-MPC VFX uPier Lefebvre noMphathi Wezithombe ze-MPC uMichael Langford bahole iqembu le-VFX le-MPC Film ukudubula isibhamu esingu-177 sokulandelana kwe- "Downtown Battle" I-Godzilla vs. Kong. Abaculi be-VFX abavela kwizitudiyo ze-MPC Film eMontreal, Bangalore naseLondon basebenze ndawonye ukuletha ukungqubuzana phakathi kwama-titans amabili enkabeni yeHong Kong.

Ithimba lezobuciko elizinze estudiyo sangaphambi kokukhiqiza sikaTechnicolor eCulver City, eLos Angeles, lisebenze kuyo yonke imikhakha yenqubo yokubona ukulandelana kweHong Kong, kusuka ekubukeni kuqala kuya ekubonisweni ngemuva. Ithimba lisebenze eduze nomqondisi u-Adam Wingard ngenkathi esuka eVancouver, eya endaweni eseHawaii, e-Australia, futhi ebuyela estudiyo eLos Angeles. Umphathi wesimo sezulu uKyle Robinson uhole icala nethimba lakhe labakhi bempahla nabaculi bokulandelana. "Ngokuqondiswa nokuqondiswa komphathi wezinto ezibonakalayo uDJ Desjardin, ithimba le-MPC nami sikwazile ukusiza ukuletha le filimu empilweni ethokozisayo futhi engajwayelekile," kusho uRobinson.

Ezigabeni zokuqala, i-MPC Film yanikezwa ubuciko bomqondo weKing Kong no-Godzilla ogqame phakathi kwamalambu abomvana, ama-cyan namawolintshi asedolobheni laseHong Kong, agcwele umusi oluhlaza okwesibhakabhaka. Idume ngezigcawu zayo zasebusuku eziqhakazile zezimpawu ze-neon, imibukiso ye-laser nezikrini ezinkulu ze-LED, bekubalulekile ukuqonda ukumelwa okuyiqiniso kwe-cityscape yaseHong Kong.

Womabili amaqembu wangaphambi kokuhlola nokwenziwa komsebenzi wasiza ekuxazululeni izinselelo eziningi zokudala ezibhekene nalokhu kulandelana okubaluleke kakhulu. Umsebenzi owenziwe ngesikhathi sangaphambi kokukhiqizwa usize ukusetha ukukhiqizwa okuphumelelayo kusethi kanye nalapho kuguquka kwaba ngemuva kokukhiqizwa. Ukubambisana kokudala okuqale ekukhiqizweni kwangaphambilini kukhombisa ukuxhumana okusobala okucacile kusika lokugcina lefilimu.

Enye yezinjongo ezinkulu zethimba le-MPC Film bekuwukuphinda benze umqondo othile wokukhanyisa. Izingxoxo eziningi beziqhubeka noWingard kuyo yonke inqubo maqondana nohlelo lombala wokukhanya we-neon wedolobha. Futhi, bekubalulekile ukukhombisa ubukhulu beKong neGodilla, kanye neqiniso ledolobha leCG.

Ngaphezu kokuthuthukisa ukumelwa okunamandla kweHong Kong, iqembu liqinisekise ukuthi le mibala ehlaba umxhwele ibakhanyisa ngokunembile abalingiswa ngesikhathi sokulwa okwashesha nokucekela phansi kakhulu. Okuqala njengesethi efiphele futhi enemibala yokhiye ophansi kushaywa ngobuciko endaweni evuthayo yesihogo.

Kwethulwa ithuluzi elisha lobuchwepheshe elibizwa ngePopulate HK (Hong Kong) technology I-Godzilla vs. Kong. Lesi bekungumbhalo, osuselwa ku-PACS, owakhiwe umphathi we-MPC Film CG uJoan Panis ukusiza ukududula imvelo yedolobha elikhulu kuzo zonke izibhamu. UPopola HK wayesho ukuthi noma yiziphi izibuyekezo ezenziwe ekwakhiweni kwemvelo okuyinhloko zingahlanganiswa kalula kuma-shots amasha. Lokhu kufaka ukufaka ukufunda kunoma yiziphi izinguquko ezenziwe kumafilimu yiqembu lokugqwayiza. Abantu abaningi be-HK bangafunda imvelo eyisisekelo ne-animation eguquliwe futhi balungiselele idolobha ukuthi linikele. Isikripthi besinekhono lokuqinisekisa ukuthi lezi zinhlamvu zigcwele abantu ngokubheka ukuthi iziphi izingxenye zedolobha ezibonakala, okwenza kube nzima ukuzinikela.

I- "Downtown Battle" bekulandelana okuyinselele ikakhulukazi njengoba isibhamu esiningi besiyi-CG ngokuphelele futhi sifaka nemiphumela eminingi eyinkimbinkimbi yokubhujiswa. Ukuqhubeka kokulandelana kwaba yiphuzu elisemqoka ekuqinisekiseni ukuthi izakhiwo ezacekelwa phansi ngaphambilini zihlala ekubukekeni kwazo, njengoba kwenza amalambu e-neon aphukile abebabaza phakathi kokubhujiswa okukhulu.

Umphathi we-CG uTimucin Ozger udale indawo yokuhamba yokubhujiswa kweHoudini ezenzakalelayo, engakhipha nemiphumela neNeons njengemithombo elula eMantra Renderer. Lokhu kugeleza komsebenzi kudale imiphumela efanayo kulokho obekuzonikezwa ngumnyango wokukhanyisa. Lokhu kusizile ukugwema isimanga sezici ezahlukahlukene phakathi kweminyango kanye nokugcina ukuvumelana. I-MPC ibuye ivuselele iParallax Shader yayo ukwenza amabhilidi amakhulu abe nemidwebo. I-shader entsha ingajoyina amawindi emahhovisi futhi yakhe Amakamelo eParallax empeleni abukeka njengamahhovisi, angagcini ngamakamelo awodwa.

Inselelo enkulu yeqembu lokugqwayiza kwakuwukwenza impi eshubile futhi enamandla eyayingagcini nje ngokugcizelela ubukhulu bama-titans, kodwa futhi ikhombisa nemizwa yokulwa ebusweni babo. Abenzi bama-animators bakujabulele ukulingisa le mpi nokuklina indlela uKong noGodzilla ababengalwela ngayo, bese behumusha kabusha lokho kudlala kumafilimu abalulekile. Inselelo eyengeziwe kwaba ukudala ukusebenzisana kothando, nokungasongeli phakathi kukaKong noJia, ngaphandle kobukhulu obukhulu bukaKong nokubukeka okusabisayo. Kwakudingeka ukuthola umuzwa ophelele nenjabulo ebusweni bukaKong ukuthengisa imizwa yakhe ngaphandle kwamagama.

Izithombe zenganekwane " I-Godzilla vs. Kong manje iseseshashalazini emhlabeni wonke ngeWarner Bros. Izithombe neToho (Japan).

Umthombo: MPC Film